Today was the last class session for working on the "Rhythm and Repetition" project. The three drawings above have distinctive characteristics. Dennis' drawing illustrates three-dimensional shapes packed into the space. In addition, he has included a number of textural areas. Ismena's drawing has a whirling pattern of pinwheel like shapes as well as a stacked quality of rectangular elements. Sam's drawing illustrates an overall pattern of six values with the addition of larger clusters forming oval shapes hovering within the mass.
Bettina Schoefer Gordon Michelle Frydenlund Rio Dominguez Last night the class completed work on the Architectural Improvisation project. Bettina's drawing is a tumbling and swirling composition of architectural forms separated into linear and shape based elements. The light and dark areas are balanced with textural, gray values and patterns. Michelle's drawing exhibits a multilayered space of rectangular shapes of various sizes are characteristics. The dynamics of the composition are attributed to criss-crossing diagonals and high contrasting values. Rio's drawing exhibits a collage-like composition of disparate and similar objects as well as mark-making effects. The composition is balanced with repeating brick patterns and leaf shapes bound together with high contrast values and textures.
Amanda Edgar: Monochromatic (Warm) Yesterday the class continued working on their color schemes project. Amanda's painting above is an example of a warm, monochromatic color scheme in red. Remember that adding white or black to a color only changes its value and not the hue. Notice how these additions to red alter the color making it appear like more than one color was applied.
Brendan Powers On Tuesday the class visited the gallery to see the current Abstract Mix exhibition. The remaining time in class was devoted to completing the next Notan project. Remember to achieve Notan, the positive and negative areas must 1. be able to exchange value, 2. negative areas must be sufficiently enclosed and 3. the positive and negative areas must be able to exchange roles (i.e. positive becomes negative; negative becomes positive). Brendan has very skillfully met all three requirements. The sequence of the distortions is gradual and varied. In addition, his handling of the materials has created very fluid and viscous lines and shapes.
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